“...There are gypsies and gypsies in the world, for there are the wanderers on the roads and the secret dwellers in towns; but even among the aficionados, or Romany ryes, by whom I mean those scholars who are fond of studying life and language from the people themselves, very few have dreamed that there exist communities of gentlemanly and lady-like gypsies of art, like the Bohemians of Murger and George Sand, but differing from them in being real “Bohemians” by race. I confess that it had never occurred to me that there was anywhere in Europe, at the present day, least of all in the heart of great and wealthy cities, a class or caste devoted entirely to art, well-to-do or even rich, refined in manners, living in comfortable homes, the women dressing elegantly; and yet with all this obliged to live by law, as did the Jews once, in Ghettos or in a certain street, and regarded as outcasts and cagôts. I had heard there were gypsies in Russian cities, and expected to find them like the kérengri of England or Germany,—house-dwellers somewhat reformed from vagabondage, but still reckless semi-outlaws, full of tricks and lies; in a word, gypsies, as the world understands the term...”