The Representation of Moral Theory in Postmodern Theatre explores how postmodern drama reflects and challenges moral understanding through complex narratives and ethically charged themes. Focusing on plays like David Harrower’s Blackbird and Anna Jordan’s Yen, the book examines how postmodern theatre confronts issues such as trauma, moral ambiguity, and social taboos. It also considers the historical shift from traditional moral theatre to contemporary forms that resist clear ethical resolution, emphasizing the role of literature in representing human conflict and responsibility.