A book on Seza Paker’s art, in my opinion, first of all, must focus on how she approaches to the issue of the minör: She minorizes the majör language, and by so doing makes it deterritorialized. That is one of the main paths of this book. Besides, the documentary Works of Paker are also included in the scope of this book. Use of fiction in these documentary Works is a feature that is continuously emphasised by Paker. Once we particularly look at the titles of her works, frequently named as Untitled, we notice that she always opens them with parentheses, and therefore, reopens and makes them ever-expanding.