Truth uncompromisingly told will always have its ragged edges.` So wrote Melville of Billy Budd, Sailor, among the greatest of his works and, in its richness and ambiguity, among the most problematic. As the critic E. L. Grant Watson writes, `In this short history of the impressment and hanging of a handsome sailor-boy are to be discovered problems as profound as those which puzzle us in the pages of the Gospels.`

Outwardly a compelling narrative of events aboard a British man-of-war during the turmoil of the Napoleonic Wars, Billy Budd, Sailor is a nautical recasting of the Fall, a parable of good and evil, a meditation on justice and political governance, and a searching portrait of three extraordinary men. The passion it has aroused in its readers over the years is a measure of how deeply it addresses some of the fundamental questions of experience that every age must reexamine for itself.

The selection in this volume represents the best of Melville`s shorter fiction, and uses the most authoritative texts. The eight shorter tales included here were composed during Melville`s years as a magazine writer in the mid 1850`s and establish him, along with Hawthorne and Poe, as the greatest American story writer of his age. Several of the tales - Bartleby the Scrivener, Benito Cereno, The Encantadas, The Paradise of Bachelors and the Tartarus of Maids - are acknowledged masterpieces of their genres. All show Melville a master of irony, point-of-view, and tone whose fables ripple out in nearly endless circles of meaning.